Joel Corelitz believes technology has a soul and music & sound design are part of the same thing. He creates emotional, design driven scores by fusing music and sound design into a unified audio experience centered around texture and mood.

Joel began his composition career at the age of five, recording found sounds and creating tunes with a classic Fisher Price 826 Cassette Recorder. Years of piano and classical guitar lessons followed, leading him to study Technology in Music Related Arts at the Oberlin Conservatory of Music, where he focused on experimental synthesis and music for interactive installations. At Oberlin, he trained on a Buchla modular system, which helped develop a fusion of classical synthesis and unconventional audio design—all supported with a background in classical theory. After graduating with honors, he worked at an established music house in Chicago before starting my personal audio brand & studio, Waveplant.

 

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Joel Corelitz is a composer who believes music has a soul. In this interview he shares why focusing on style is a dead end and why persistence is key.

Topics discussed on this episode:

  • Transitioning from the conservatory to commercial music
  • The wrong path
  • Pretty, traditional, music is boring
  • Wrestling with an art form
  • Wanting to be an artist
  • The role is to be in service to someone else
  • Three ways to think about opportunities:
    • Passion projects
    • Good for career
    • Good for finances
  • Knowing who you are as a person
  • Style can be a dead end
  • The commissioner needs something in return
  • Music is an isolating career
  • Be persistent & join the community
  • Learn what to do in the valleys
  • Give them a reason to work with you
  • Don’t be afraid to specialize, yet be a generalist
  • Be a good listener

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This episode was edited by E.J. Sadler at Studio184.